Jack Harlow’s “Lovin on Me” lands a sixth nonconsecutive week atop the Billboard Hot 100. With the song, which first led for a week in December, the rapper doubles his previous longest reign, as “First Class” ruled for three weeks in 2022. He has also led with “Industry Baby,” with Lil Nas X, for one week in 2021.
Meanwhile, three songs are new to the Hot 100’s top 10: Beyoncé’s “Texas Hold ‘Em” bounds onto the chart at No. 2; Ye (formerly known as Kanye West) and Ty Dolla $ign’s “Carnival” debuts at No. 3; and Noah Kahan’s “Stick Season” rises to No. 10, from No. 11.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Feb. 24, 2024) will update on Billboard.com tomorrow, Feb. 21 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Harlow’s “Lovin on Me,” released on Generation Now/Atlantic Records, drew 77.8 million radio airplay audience impressions (up 2%) and 21.6 million streams (down 7%) and sold 5,000 downloads (down 7%) in the Feb. 9-15 tracking week, according to Luminate.
The single adds a fifth week at No. 1 on the Radio Songs chart, drops 3-5 after five weeks atop Streaming Songs and rebounds 20-11 after two frames atop Digital Song Sales. It concurrently leads the Hot R&B/Hip-Hop Songs and Hot Rap Songs charts, which use the same methodology as the Hot 100, for a 13th week each.
Beyoncé’s “Texas Hold ‘Em” blasts onto the Hot 100 at No. 2, with 19.2 million streams, 4.8 million in airplay audience and 39,000 sold through Feb. 15. The track is one of two that she released Feb. 11 (with instrumental and clean and explicit a cappella versions of the song released Feb. 14), along with “16 Carriages,” which debuts at No. 38 (10.3 million streams; 90,000 in audience; 14,000 sold).
The arrival of both tracks was announced via a Verizon commercial that aired during CBS’ broadcast of Super Bowl LVIII, ahead of the March 29 release of Beyoncé’s album expected to be titled Act II, which follows her 2022 Renaissance LP.
Beyoncé lands her 22nd Hot 100 top 10 with “Texas Hold ‘Em” – which concurrently soars in as her first No. 1 on the multimetric Hot Country Songs chart; “16 Carriages” starts at No. 9 on the latter list, giving her two top 10s with her first two entries on the chart.
As previously reported, “Texas Hold ‘Em” is being promoted to country radio, among other formats, and debuts at No. 54 on the Country Airplay chart. It also begins at No. 38 on Pop Airplay, while additionally drawing play at adult pop, rhythmic, adult R&B and mainstream R&B/hip-hop formats.
“Texas Hold ‘Em” concurrently begins at No. 1 on Digital Song Sales, where it’s Beyoncé’s 11th leader.
Ye and Ty Dolla $ign’s “Carnival” enters the Hot 100 at No. 3, with 23.5 million streams and 4,000 sold from its Feb. 10 release on the pair’s collaborative album Vultures 1 through Feb. 15. As previously reported, the album, Ye’s first since his string of hate speech and antisemitic remarks, which resulted in companies including Adidas and Def Jam Recordings distancing themselves from the rapper, premieres at No. 1 on the Billboard 200 chart.
Ye adds his 21st Hot 100 top 10 and Ty Dolla $ign, his third – and first in a lead role; he previously led for a week in 2018 as featured on Post Malone’s “Psycho” and hit No. 4 in 2016 as featured on Fifth Harmony’s “Work From Home.”
“Carnival” by the pair, billed collaboratively as ¥$: Kanye West & Ty Dolla $ign, crowns Streaming Songs, marking Ye’s fourth No. 1 and Ty Dolla $ign’s first.
Benson Boone’s “Beautiful Things” backtracks to No. 4 from its No. 3 Hot 100 high; Teddy Swims’ “Lose Control” falls to No. 5 from its No. 2 best; and Taylor Swift’s “Cruel Summer” slips 4-6, following four nonconsecutive weeks at No. 1 beginning in October.
SZA’s “Snooze” descends 5-7 on the Hot 100, after reaching No. 2, as it leads the multimetric Hot R&B Songs chart for a 29th week.
Zach Bryan’s “I Remember Everything,” featuring Kacey Musgraves, retreats 6-8 on the Hot 100, after it led for a week upon its debut last September. It tops the multimetric Hot Rock & Alternative Songs and Hot Rock Songs charts for a 25th week each.
Tate McRae’s “Greedy” dips 7-9 on the Hot 100, after reaching No. 3. It also becomes McRae’s first No. 1 on the Adult Pop Airplay chart, after it dominated Pop Airplay for eight weeks.
Rounding out the Hot 100’s top 10, Noah Kahan’s “Stick Season” climbs to No. 10, from No. 11, with 17.8 million streams (up 7%), 15.9 million in airplay audience (up 17%) and 2,000 sold.
The song is the Strafford, Vt., native’s first Hot 100 top 10. He arrived on the chart last June with “Dial Drunk” (featuring Post Malone), which reached No. 25, and peaked at a No. 14 best among his entries prior to “Stick Season” as featured on Zach Bryan’s “Sarah’s Place” in October. Notably, Kahan wrote “Stick Season” solo, making it any soloist’s first top 10 solely written by that artist since Bryan’s “Something in the Orange” (No. 10, January 2023).
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“Stick Season” – which leads the multimetric Hot Alternative Songs chart for a fifth week, after it reached No. 2 on the Adult Alternative Airplay chart in November 2022 – is the title track from Kahan’s album released that October. Sparked by its latest deluxe version, the set rebounds to its No. 3 high on the Billboard 200.
Again, for all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Feb. 24), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Feb. 21).
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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