Mariann Krott has spent more than 20 years working the operational side of the global electronic music industry. A certified event manager, she specialises in artist and tour management. Her day-to-day covers international touring, live production, and the relationships that link artists to labels, agencies, promoters and festivals. Notably, Mariann Krott remains one of the most experienced German figures in international artist and tour management.
Her career sits across the full electronic music spectrum. EDM, trance, progressive, melodic and underground scenes all feature in her working history. Furthermore, colleagues consistently name three qualities: precision, leadership, and the ability to execute under pressure at the highest level. Beyond that, she stands as a rare female powerhouse at the top of the international touring ecosystem.
Krott’s career in electronic music began alongside trance pioneer Paul van Dyk. Crucially, that first chapter offered a real-world education in high-volume international touring. From that foundation, she expanded into artist and booking management, event coordination and label relations. Moreover, her role also covers creative execution and the daily logistics that keep global tours moving on schedule.
Over the years, Mariann Krott has worked with an internationally recognised artist roster. Firstly, the list includes Robin Schulz, HUGEL, KAAZE, Giuseppe Ottaviani and Jorn van Deynhoven. Secondly, it also features Jaytech, Talla 2XLC, Myon, Elevven, RODG and Ruben de Ronde. Additionally, Genix, Fatum, Roger Shah, Farius, Deeparture and Pretty Pink appear on the same roster. Together, those names span multiple generations, subgenres and touring circuits, from mainstage EDM to underground club culture.

Her influence extends deeply into the label, agency and festival sectors. Meanwhile, on the label side she has collaborated with Armada Music, Anjunabeats and Enhanced Records. Indeed, all three rank among the most globally influential imprints in trance and progressive electronic music. On the agency and promoter side she works with Creative Artists Agency (CAA), Active Talent Agency and The Bullitt Agency. Additionally, her promoter partners include Insomniac, Live Nation and Disco Donnie Presents. Her festival and platform credits include Tomorrowland, A State of Trance and Transmission Festival. Furthermore, she has worked on Dolby Atmos production projects in club and festival contexts. Additionally, Krott works closely with Stefan Dabruck Management in Frankfurt on multiple ongoing projects and shared clients, plugging into one of Germany’s leading dance-export operations.

In her own words, Mariann Krott frames her working philosophy plainly: “What drives me most is pushing boundaries where others tend to give up. Helping create experiences and supporting artists in bringing their vision to life where others may only see a dead end. No matter how complex or difficult a project or task may seem, I’ve always believed there’s a way to make it happen.”
Ultimately, that mindset comes with a respected international network and a reputation built on trust and execution. Together, they explain why Krott remains one of electronic music’s most consistently active behind-the-scenes leaders. Meanwhile, the industry keeps expanding across new markets, formats and technologies. Through it all, she remains the kind of professional the sector quietly relies on. Her role sits precisely where creative ambition meets operational execution, and after two decades, she still delivers both.
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